|Bula'bula Arts - Australian Aboriginal Art Centre: Aboriginal Art, Painting & Screenprinting|
Bula'bula Arts Aboriginal Corporation is located in Ramingining, a small and remote community established in central Arnhem Land in the 1970s. Located about 400km east of Darwin and 30km inland from the Arafura Sea, the township is built on land owned by the Djadawitjibi people of the Djinang group.
The region is home to more than sixteen clans speaking fourteen different languages, and borders on the Arafura Wetlands.Ramingining has had an Indigenous art centre since the 1970s, and in 1990 a meeting of senior artists resulted in the decision to establish an independent artists organization to represent their interests. The name Bula’bula refers to the message embodied in the song-cycle of the area’s principal creative being, Garrtjambal the red kangaroo. More literally, it translates as the tongue, or voice of the kangaroo.
Bula’bula artists are renowned for their distinctive bark and canvas paintings, dupun (hollow logs), yidaki (didgeridu), and fibre art such as mindirr (dilly bags), bush string bags and beautifully woven mats. In addition to also producing limited edition prints on paper, Bula’bula Arts occaisonally produces locally designed screen-printed fabric and t-shirts.
Ramingining has produced many artists of renown, including Paddy Dhathangu (1914-1993), George Milpurrurru (1934-1998) and David Malangi (1927-1999), who is famous for the use his artwork on the Australian one dollar note, which was in currency until 1982. Working painters currently include Philip Gudthaykudthay, Dorothy Djukulul, Namiyal Bopirri, Jimmy Moduk, Charlie Djurritjini, Richard Birrinbirrin, Peter Minygululu, Roy Burnyila and Bobby Bununggurr.Bula’bula also has some very accomplished fibre artists. They include Judy Baypungala, Elizabeth Djuttara (1942-2010), Robyn Djunginy and Clara Matjandatjpi (Wubugwubuk), who was commissioned by SOCOG to produce large fibre forms for the Sydney 2000 Olympics.
More about the Ramingining region, the culture, people and art from this area can be seen on the website Twelve Canoes (www.twelvecanoes.com).
Yirritja and Dhuwa Panels
Each panel measures 2.7 metres in length and I.2 metres in width. They represent the two moieties of the Yolngu people. In Yolngu culture every thing (eg. plant, animal, cloud or person) is either Yirritja or Dhuwa. This division is an integral part of Yolngu social organisation. A person is the same moiety as their father and they marry someone of the opposite moiety. The opposite moiety is the same moiety as their mother. In this way there are always strong family connections.
Each clan and language belongs to one of the two moieties. The Dhuwa moiety panel is from the Mandhalpingu people. The Yirritja panel is from the Ganalbingu people.